…and The Oscar goes to…

It’s almost Oscar night.  Accordingly, here are this filmmaker’s final thoughts in the run-up. These entirely subjective predilections – how could they be anything but? – are also somewhat selective.  I proffer my assessment based on categories in which I watched a majority of nominated films. Vamonos!

Black Swan, The King’s Speech, True Grit and Winter’s Bone are all highly commendable. Winter’s Bone is the best,  but it won’t win because it’s about the unspeakable – poverty and ignorance in America – it’s damn sad and almost no one saw it. I go with the worthy Black Swan by default.

Best Director:  tough call, but Darren Aronofsky gets the nod for visualizing artistry, horror, psychological trauma and sexuality in Black Swan.

I’d have never believed anyone but Natalie Portman should win Oscar for Best Actress out of Black Swan.  Then I saw Winter’s Bone.  Please, oh puh-leeez! Give this award to Jennifer Lawrence for her jaw-dropping, intense, yet nuanced, performance.

Colin Firth is wonderful in The King’s Speech.  Jeff Bridges is an American original, as much and as great as Clint Eastwood or Brian Wilson. Bridges proved it again in True Grit. However, Javier Bardem is incandescent in Biutiful.  Bardem deserves the Oscar.

Best Supporting Actress: the then thirteen-year-old Hailee Steinfeld in True Grit. It’s the wrong category because her character carries the narrative of the film, but this is one Steinfeld can actually win.  You go, girl!

Best Supporting Actor: Geoffrey Rush in The King’s Speech. Caveat – I say this without having seen Christian Bale’s performance in The Fighter. People I respect greatly tell me that Bale is a deserving winner. However, Oscar would not go wrong with the extraordinary Man from Oz.

Incendies, directed by Quebecois filmmaker Denis Villeneuve, is perhaps the best film of all. I hope it wins the Best Foreign Language Film category. It would put Villeneuve in the deserved company of Quebec film making greats like Denys Arcand, Claude Jutra and Jean-Claude Lauzon.  Further, as the Middle East blows up and transforms before our eyes, Incendies, like Winter’s Bone, in its gaze into modern tribalism, is the most timely of fictional films. From the same category, Biutiful may have confounded the critics, but Mexico’s Alejandro Gonzalez Inarritu remains one of the world’s great filmmakers. His latest film was, in my view, underrated. However, give the statue to Villeneuve. Right now!

Best adapted screenplay:  While I hate to deny Winter’s Bone anything, I give the nod to Joel Coen and Ethan Coen for having the genitalia and creativity to re-adapt, in an entirely different way, a work that had already won an Oscar for a previous version starring John Wayne.  That’s chutzpa.

Best cinematography: Matthew Libatique, Black Swan

Best Film Editing: Andrew Weisblum, Black Swan

Final thoughts:

1. The Social Network is widely nominated.  To me, as I’ve written earlier in this blog, that picture is a television movie-of-the-week in disguise. I don’t get it, but I know I’m in a small minority.  The film will win in at least one category. That will be me cringing.

2. A few years back, Clint Eastwood could do no wrong. He was on a deserved Oscar roll. In 2010, he released Hereafter, one of that great filmmakers most original works. Hmmm…I guess even Clint gets a slap now and again. I’d encourage you to  see Hereafter and judge for yourself whether it was worthy of Oscar nominations. I surely think so.

3. The Town, directed by Ben Affleck, also deserved a better fate.  If Affleck keeps working at that level, it won’t be long before Oscar notices.

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